Jaune citron is a pigment preparation created in 2015 by Ocres de France.
This pigment is synthetic, without any danger for health or the environment. It is composed of 97% of natural ingredients.

Pigment made by Ocres de France

Rouge Porto is a pigment preparation created by Ocres de France in 2016.
This pigment is synthetic, without any danger for health or the environment. It is composed of 95% natural ingredients.
Warning : this pigment is likely to have a slight variation in color from one batch number to another, due to its composition (raw material not followed). Analysis bulletin on request.

Pigment made by Ocres de France

Bleu Monte-Carlo is a pigment preparation created by Ocres de France in 2016.
This is a synthetic pigment, without any danger for health or the environment. It is composed of 95% of natural ingredients.

Pigment made by Ocres de France

Bois de rose is a pigment preparation made by Ocres de France in 1998, characterized by a great fineness of matter.
This pigment is synthetic without any danger for health or the environment. It is composed of 94% of natural ingredients.

Pigment made by Ocres de France

Bleu Kossoghol is a pigment preparation created by Ocres de France in 2019.
This a synthetic pigment, without any danger for health or the environment. It is composed of 94% of natural ingredients.

Pigment made by Ocres de France

Jaune tournesol is a pigment preparation created by Ocres de France in 2021.
This pigment is synthetic, without any danger for health or the environment. It is composed of 88% of natural ingredients.

Pigment made by Ocres de France

Vert pistache is a pigment preparation created by Ocres de France in 1998, characterized by a great fineness of matter.
This pigment is synthetic, without any danger for health or the environment. It is composed of 94% of natural ingredients.

Pigment made by Ocres de France

Real lime of Marrakech mainly used for the realization of the Tadelakt. It can also be used in interior and exterior decorative coatings.
Basic ingredient of the Tadelakt* technique, its consumption is about 5kg/m²/4mm of thickness. To be diluted with 6 to 7 volumes of water for 10 volumes of Marrakech lime.

Packaging : 20kg.

* Tadelakt is a particular technique that requires prior to its realization a basic training (or at least to learn about its subtleties). 

Noir d'Ivoire is a  pigment preparation designed by Ocres de France in 2016 and perfected in 2021. True ivory black was obtained by calcination of animal bones. For a long time, and fortunately for our animal friends, it is now obtained from iron oxide and plant-based charcoal. The name remained in order to signify the resemblance of the color.
This pigment is 97% natural.

Pigment made by Ocres de France

Ecological, economic, made in France, Badisof is an aerial limewash paint, good for health and the environment. Thanks to its material and the warmth of the Ocres de France pigments, it is possible to rediscover the authenticity and charm of the old wall.
It applies to the brush, only indoor, and creates soft and subtle shades. It has a velvety appearance, less grainy, with more pastel hues than the Badisof Plus.
To learn more, see the long description below and download the data sheet available in the "attachments" tab.

The natural Badisof, therefore not tinted, has the color of lime (off-white, light cream).

Product made by Ocres de France

L'ombre de Chypre B (= umber B of Cyprus) is an umber that comes from Cyprus. The umber earth probably owes its name to the latin "umbra" (shadow) which was once used to cast down the colors. Cyprus is the largest producer of earths in the Mediterranean basin. Traces of this earth can be found everywhere. They are taken in the form of clay which makes them accessible and cheap pigments.
This pigment is 100% natural. 

Vert turquoise is a pigment preparation made by Ocres de France in 1998, characterized by a great fineness of matter.
This pigment is synthetic, without any danger for health or the environment. It is composed of 98% natural ingredients.

Pigment made by Ocres de France

Le Ton Pierre is a pigment preparation created by Ocres de France in 2019.
This pigment is synthetic, without any danger for health or the environment.

Pigment made by Ocres de France

Arabic gum is the binder traditionally used for watercolor. It is made from acacia and is the oldest of the gums. 

Rectangular limewash brush. Mixed horsehair/coconut/PVC. Ferrule iron, handle PP, protective film on each tuft. Dimension 3x12 cm. Silkscreen Ocres de France.

Le gris étain (= pewter grey) is a pigment preparation created by Ocres de France in 1998, characterized by a great fineness of material.
This pigment is synthetic, without any danger for health or the environment. It is composed of 99% of natural ingredients.

Pigment made by Ocres de France

La terre d'ombre verdâtre (= greenish umber earth) is naturally present in nature. This pigment is refined, ground, has good colouring power and can be used in various techniques.
This pigment is 100% natural. 

L'ombre de Chypre C (= umber C of Cyprus) is an umber that comes from Cyprus. The umber earth probably owes its name to the latin "umbra" (shadow) which was once used to cast down the colors. Cyprus is the largest producer of earths in the Mediterranean basin. Traces of this earth can be found everywhere. They are taken in the form of clay which makes them accessible and cheap pigments.
This pigment is 100% natural. 

Marron glaise is a pigment preparation created by Ocres de France in 1998, characterized by a great fineness of material.
This pigment is synthetic, without any danger for health or the environment. It is composed of 98% natural ingredients.

Pigment made by Ocres de France

Rouge cassis is a pigment preparation created by Ocres de France in 1998, characterized by a great fineness of material.
This pigment is synthetic, without any danger for health or the environment. 

Pigment made by Ocres de France

Casein (milk protein) is a natural fixative for limewash paints to which it provides matte and velvety. Used by artists from the Middle Ages, it is perfect for frescoes and icons. A little neglected over time, it returns to fashion especially in the decoration of painted furniture.